English: The Hope | |
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HaTiqṿah | |
National anthem of | Israel |
Lyrics | Naphtali Herz Imber, 1878 |
Music | Samuel Cohen, 1888 |
Adopted | 1897 (First Zionist Congress) 1948 (unofficially) 2004 (officially) |
Music sample | |
Hatikvah (Instrumental)
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Hatikvah (Hebrew: הַתִּקְוָה, Hatiq'vah, lit. The Hope) is the national anthem of Israel. The anthem was written by Naphtali Herz Imber, a secular Galician Jew from Zolochiv (today in Lviv Oblast),[1] who moved to the Land of Israel in the early 1880s.
The anthem's theme revolves around the nearly 2000-year-old hope of the Jewish people to be a free and sovereign people in the Land of Israel, a national dream that would eventually be realized with the founding of the modern State of Israel in 1948.
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The text of Hatikvah was written by the Galician Jewish poet Naphtali Herz Imber in Zolochiv in 1878 as a nine-stanza poem named Tikvateynu (lit. "Our Hope"). In this poem Imber puts into words his thoughts and feelings in the wake of the establishment of Petah Tikva, one of the first Jewish settlements in Ottoman Palestine. Published in Imber's first book, Barkai (lit. "Morning Star"), the poem was subsequently adopted as the anthem of Hovevei Zion and later of the Zionist Movement at the First Zionist Congress in 1897. The text was later revised by the settlers of Rishon LeZion, subsequently undergoing a number of other changes.
The melody, of folk origin (thought to be "Cucuruz cu frunza-n sus", Maize with standing leaf), was arranged by Samuel Cohen, an immigrant from Bessarabia.[2]
The British Mandate government briefly banned its public performance in 1919, in response to an increase in Arab anti-Zionist political activity.[3]
When the State of Israel was established in 1948, Hatikvah was unofficially proclaimed the national anthem. However, it did not officially become the national anthem until November 2004, when it was sanctioned by the Knesset in an amendment to the Flag and Coat-of-Arms Law (now renamed the Flag, Coat-of-Arms, and National Anthem Law).
In its modern rendering, the official text of the anthem incorporates only the first stanza and refrain of the original poem. The predominant theme in the remaining stanzas is the establishment of a sovereign and free nation in the Land of Israel, a hope largely seen as fulfilled with the founding of the State of Israel.
The melody for Hatikvah derives, with modifications, from the La Mantovana, a 17th-century Italian song, originally written by Giuseppino del Biado ca. 1600 with the text "Fuggi, fuggi, fuggi dal questo cielo". Its earliest known appearance in print was in the del Biado's collection of madrigals. It was later known in early 17th-century Italy as "Ballo di Mantova." This melody gained wide currency in Renaissance Europe, the Polish folk song "Pod Krakowem"; and the Ukrainian "Kateryna Kucheryava."[4] This melody was also famously used by the Czech composer Bedřich Smetana in his symphonic poem celebrating Bohemia, “Má vlast,” as “Vltava” (Die Moldau).
The adaptation of the music for Hatikvah is believed to have been composed by Samuel Cohen in 1888. Cohen himself recalled many years later that he had adapted the melody from a Romanian folk song, possibly “Carul cu boi” (“Carriage with Oxen”)(itself deriving from "La Mantovana") which shares many structural elements with Hatikva.
The harmony of Hatikvah is arranged modally and mostly follows a minor scale, which is often perceived as mournful in tone and is rarely encountered in national anthems. However, as the title "The Hope" and the words suggest, the import of the song is optimistic and the overall spirit uplifting.
The official text of the national anthem corresponds to the first stanza and amended refrain of the original nine-stanza poem by Naftali Herz Imber. Along with the original Hebrew, the corresponding transliteration[5] and English translation are listed below.
Hebrew | Transliteration | English translation |
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כל עוד בלבב פנימה | Kol ‘od balleivav penimah | As long as in the heart, within, |
נפש יהודי הומיה, | Nefesh yehudi homiyah, | A Jewish soul still yearns, |
ולפאתי מזרח, קדימה, | Ul(e)fa’atei mizrach kadimah, | And onward, towards the ends of the east, |
עין לציון צופיה; | ‘Ayin letziyon tzofiyah; | An eye still gazes toward Zion; |
עוד לא אבדה תקותנו, | ‘Od lo avdah tikvateinu, | Our hope is not yet lost, |
התקוה בת שנות אלפים, | Hatikvah bat shnot alpayim, | The hope of two thousand years, |
להיות עם חפשי בארצנו, | Lihyot ‘am chofshi be’artzeinu, | To be a free people in our land, |
ארץ ציון וירושלים. | Eretz-tziyon (v)'Y(e)rushalayim. | The land of Zion and Jerusalem. |
Some people compare the first line of the refrain, “Our hope is not yet lost” (“עוד לא אבדה תקוותנו”), to the opening of the Polish national anthem, Poland Is Not Yet Lost (Jeszcze Polska nie zginęła), or to the Ukrainian national anthem, Ukraine Has Not Yet Perished (Ще не вмерла Україна; Šče ne vmerla Ukraïna). This line may also be a Biblical allusion to Ezekiel’s “Vision of the Dried Bones” (Ezekiel 37: “…Behold, they say, Our bones are dried, and our hope is lost”), describing the despair of the Jewish people in exile, and God’s promise to redeem them and lead them back to the Land of Israel.
The official text of Hatikvah is relatively short; indeed it is a single complex sentence, consisting of two clauses: the subordinate clause posits the condition (“As long as… A soul still yearns… And… An eye still watches…”), while the independent clause specifies the outcome (“Our hope is not yet lost… To be a free nation in our own land”).
Below is the full text of the original nine-stanza poem Tikvatenu by Naftali Herz Imber. The current version of the Israeli national anthem corresponds to the first stanza of this poem and the amended refrain.
Hebrew | Transliteration | English translation |
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–I– | ||
כל עוד בלבב פנימה | Kol-‘od balevav penimah | As long as in the heart, within, |
נפש יהודי הומיה, | Nefesh yehudi homiyah, | A Jewish soul still yearns, |
ולפאתי מזרח קדימה, | Ul(e)fa’atei mizrach kadimah, | And onward, towards the ends of the east, |
עין לציון צופיה; | ‘Ayin letziyon tzofiyah; | An eye still looks toward Zion; |
פזמון | Refrain | |
עוד לא אבדה תקותנו, | ‘Od lo avdah tikvateinu, | Our hope is not yet lost, |
התקוה הנושנה, | Hatikvah hannoshanah, | The ancient hope, |
לשוב לארץ אבותינו, | Lashuv le’eretz avoteinu, | To return to the land of our fathers, |
לעיר בה דוד חנה. | La‘ir bah david k'hanah. | The city where David encamped. |
–II– | ||
כל עוד דמעות מעינינו | Kol-‘od dema‘ot me‘eineinu | As long as tears from our eyes |
יזלו כגשם נדבות, | Yizzelu kegeshem nedavot, | Flow like benevolent rain, |
ורבבות מבני עמנו | Urevavot mibbenei ‘ammeinu | And throngs of our countrymen |
עוד הולכים על קברי אבות; | ‘Od hol(e)chim ‘al kivrei avot; | Still pay homage at the graves of (our) fathers; |
פזמון | Refrain | |
–III– | ||
כל עוד חומת מחמדינו | Kol-‘od chomat mach(a)maddeinu | As long as our precious Wall |
לעינינו מופעת, | Le‘eineinu mofa‘at, | Appears before our eyes, |
ועל חרבן מקדשנו | Ve‘al churban mikdasheinu | And over the destruction of our Temple |
עין אחת עוד דומעת; | ‘Ayin achat ‘od doma‘at; | An eye still wells up with tears; |
פזמון | Refrain | |
–IV– | ||
כל עוד מי הירדן בגאון | Kol-‘od mei hayarden bega’on | As long as the waters of the Jordan |
מלא גדותיו יזלו, | Melo’ gedotav yizzolu, | In fullness swell its banks, |
ולים כנרת בשאון | Uleyam kinneret besha’on | And (down) to the Sea of Galilee |
בקול המולה יפֹלו; | Bekol hamulah yippolu; | With tumultuous noise fall; |
פזמון | Refrain | |
–V– | ||
כל עוד שם עלי דרכים | Kol-‘od sham ‘alei drachayim | As long as on the barren highways |
שער יכת שאיה, | Sha‘ar yukkat she’iyah, | The humbled city gates mark, |
ובין חרבות ירושלים | Uvein charvot yerushalayim | And among the ruins of Jerusalem |
עוד בת ציון בוכיה; | ‘Od bat tziyon bochiyah; | A daughter of Zion still cries; |
פזמון | Refrain | |
–VI– | ||
כל עוד דמעות טהורות | Kol-‘od dema‘ot tehorot | As long as pure tears |
מעין בת עמי נוזלות, | Me‘ein bat ‘ammi nozlot, | Flow from the eye of a daughter of my nation, |
ולבכות לציון בראש אשמורות | Velivkot letziyon berosh ’ashmorot | And to mourn for Zion at the watch of night |
עוד תקום בחצי הלילות; | ‘Od takum bachatzi halleilot; | She still rises in the middle of the nights; |
פזמון | Refrain | |
–VII– | ||
כל עוד נטפי דם בעורקינו | Kol-‘od nitfei dam be‘orkeinu | As long as drops of blood in our veins |
רצוא ושוב יזלו | Ratzo’ vashov yizzolu, | Flow back and forth, |
ועלי קברות אבותינו | Va‘alei kivrot avoteinu | And upon the graves of our fathers |
עוד אגלי טל יפלו; | ‘Od eglei tal yippolu; | Dewdrops still fall; |
פזמון | Refrain | |
–VIII– | ||
כל עוד רגש אהבת הלאום | Kol-‘od regesh ahavat halle’om | As long as the feeling of love of nation |
בלב היהודי פועם, | Beleiv hayhudi po‘eim, | Throbs in the heart of the Jew, |
עוד נוכל קוות גם היום | ‘Od nuchal kavvot gam hayyom | We can still hope even today |
כי עוד ירחמנו אל זועם; | Ki ‘od yerachmeinu ’eil zo‘eim; | That a wrathful God may still have mercy on us; |
פזמון | Refrain | |
–IX– | ||
שמעו אחי בארצות נודִי | Shim‘u achai be’artzot nudi | Hear, O my brothers in the lands of exile, |
את קול אחד חוזינו, | Et kol achad chozeinu, | The voice of one of our visionaries, |
כי רק עם אחרון היהודִי | Ki rak ‘im acharon hayhudi | (Who declares) That only with the very last Jew — |
גם אחרית תקותנו! | Gam acharit tikvateinu! | Only there is the end of our hope! |
פזמון | Refrain |
Many observant Jews object to Hatikvah on the grounds that the anthem is too secular and lacks sufficient religious emphasis, such as not mentioning God or the Torah. Some Hareidim have mocked the song by switching the word "חופשי" (free, alluding to a secular Jew being free of mitzvot) with the word "קודשי" (holy), thus reading the line: "To be a holy nation", referring to the verse in Shemos 19:10 "וְאַתֶּם תִּהְיוּ לִי מַמְלֶכֶת כֹּהֲנִים וְגוֹי קָדוֹש" (you shall be for Me a kingdom of priests and a holy nation). (Some religious Zionists also replace the word "חופשי" for the word "קודשי" but do so quietly and without intent to mock.) Others have gone even further by appending the words "תשחקו בכדור" (play ball) at the end of the song, to mimic the USA's practice of yelling "play ball" at Major League Baseball games following the singing of its national anthem, "The Star Spangled Banner".
Rabbi Abraham Isaac Kook objected to the secular thrust of Hatikvah and wrote an alternative anthem titled “HaEmunah” ("The Faith") in the hope that it would replace Hatikvah as the Israeli national anthem. Rav Kook did not object to the singing of Hatikvah (and in fact has endorsed it) as he had great respect for secular Jews, indicating that even in their work it was possible to see a level of kedushah (holiness).[6]
Some Arab Israelis object to Hatikvah due to its explicit allusions to Judaism. In particular, the text’s reference to the yearnings of “a Jewish soul” is often cited as preventing non-Jews from personally identifying with the anthem. Notably, Ghaleb Majadale, who in January 2007 became the first Arab to be appointed as a minister in the Israeli cabinet, sparked a controversy when he publicly refused to sing the anthem, stating that the song was written for Jews only.[7]
From time to time proposals have been made to change the national anthem or to modify the text in order to make it more acceptable to non-Jewish Israelis; however, no such proposals have succeeded in gaining broad support.
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